Gallo-Roman sculpture of the head of Eros (?), marble, 1st-3rd century A.D.
Full-plastic head sculpture made of white marble, facial features treated quite schematically except for the characteristic almond-shaped eyes and "Gioconda's smile." The nose is flat, the hair reaching the neck, wavy around the line of the face, at the back the hairstyle treated schematically. The shape of the neck from underneath allows us to conclude that the head was originally part of a larger composition. The sculpture is placed on a custom-made, two-stage pedestal of black marble.
Balmamarium, terracotta, Ancient Rome, ca. 1st-2nd century A.D.
Authentic Roman balsamarium (unguentarium) from the 1st-2nd century BC, made of clay using a potter's wheel. The vessel, which had a distinctive form - with a cracked belly, slender neck and wide, orifice-shaped spout, was used to store liquid fragrances and toilet scents. It was often part of the equipment of the deceased. Formerly it was believed that balsamaria were used to collect the tears of mourners during funeral ceremonies - hence the misnomer lacrimatorium (from lacrima - tear).
Balmamarium, terracotta, Ancient Rome, ca. 1st-2nd century A.D.
Authentic Roman balsamarium (unguentarium) from the 1st-2nd century BC, made of clay using a potter's wheel. The vessel, which had a distinctive form - with a cracked belly, slender neck and wide, orifice-shaped spout, was used to store liquid fragrances and toilet scents. It was often part of the equipment of the deceased. Formerly it was believed that balsamaria were used to collect the tears of mourners during funeral ceremonies - hence the misnomer lacrimatorium (from lacrima - tear).