The “Miscellaneous” category is a space for objects that do not fit neatly into the classical fields of early art, such as painting, sculpture, or decorative arts. It includes items of diverse character: ritual, symbolic, documentary, utilitarian, or personal and often difficult to classify unambiguously, yet culturally significant. This category can be divided into three subcategories: Cabinet of Curiosities (Wunderkammer), Lifestyle and Epoch, and National Heritage.
The common denominator of these collections is their contextual meaning. They are not merely objects but carriers of stories, testimonies of identity, shifting tastes and values, and sometimes borderline artifacts balancing between the sacred and the profane.

For investors, curators, and collectors, this category is like a treasure chest of surprises, filled with unexpected, rare, and unique objects. Often, a single piece from this category can become the focal point of an exhibition or the defining symbol of an entire collection. This is precisely why “Miscellaneous” remains such a dynamic, intriguing, and inspiring category.

Afrika Korps tropical helmet, cork and canvas, Germany (North Africa), 1941

2200,00 

A tropical cork helmet (Tropenhelm) used by soldiers of the German Afrika Korps (Deutsches Afrikakorps, DAK) during the North African campaign of 1941-1943. Made of lightweight, hardened cork covered with beige canvas. On the sides are metal insignia: on one side a tricolor national shield (black-white-red), on the other a Wehrmacht eagle holding a swastika. The inside of the helmet is lined with red lining, with a preserved leather potnik and a fragment of the chin strap. The potnik bears the manufacturer's stamp HR41 (Heinrich Radecke, Hamburg, 1941).

All in very good state of preservation, with natural wear to the fabric at the edges of the brim and minor rubbing. Despite the broken chin strap, the structure remains fully stable. The helmet is preserved in its original condition, without conservation interference.

Chapel with Our Lady of Czestochowa and Eagle, Poland, 19th century.

3000,00 
A unique, 19th century chapel (pendant medal) of large format, depicting the image of Our Lady of Czestochowa with the infant Jesus. The front is decorated with an engraved representation of the icon with hand-polychrome faces, robes and halos. In the rim is a Latin inscription: "TERRIBILIS UT CASTRORUM ACIES ORDINATA" a quote from the Song of Songs, read as a symbol of Mary's strength as protector and queen. On the back there is a classical eagle with a crown, coat of arms and outspread wings, typical of the iconography of the Kingdom of Poland, and a ribbon with an inscription: "REGINA POLONIAE - MISERERE MEI" (Queen of Poland - have mercy on me).The chapel is made of uniform silver-plated sheet metal (brass or alpaca), with a hanging handle. A product with a strong symbolic charge, popular especially during the periods of partitions and national pilgrimages to Jasna Gora.

Coat of arms plaque with panoplies, silver and silk, Poland, 18th century.

2600,00 

A unique family coat-of-arms and votive plaque, the centerpiece of which is an oval silver plaque dating from the late 18th century. It is engraved with Suchekomnata's coat of arms with motifs of panoplia (knightly armament), labrums, helmet and hunting trumpet, topped with a nobleman's crown and the monogram "P.J.". The plaque was in the 1920s-1930s sewn to a decorative soft textile backing made of alternating panels of silk fabrics in amaranth and ecru. The backing was decorated with hand embroidery made with silver byelwork, sequins and tin appliqués forming floral compositions. Two original red lacquer stamps were preserved on the back.

Crucifix base in the form of a skull topped with a stylized tree trunk, wood, Germany (?), 18th-19th century.

5300,00 
A unique dark wood sculpture depicting a realistically carved human skull, embraced from above by four massive handles with a form resembling claws or roots. The handles above join and twist into a single, compact form, resembling a stylized tree trunk, terminating in a flat-cut top surface with a full-width groove, indicating that the object was originally part of a larger structure. The skull was carved with great attention to anatomical details, such as cranial sutures, nasal openings and dentition. The form and design allow us to assume that the sculpture served as the base of a memento mori type crucifix; the missing element in the form of carved bones under the occiput means that the object now presents in a slight slant, while it was originally placed vertically.

Luftwaffe non-commissioned officer’s cap, wool fabric, Germany, ca. 1939-1945

2000,00 
Original garrison cap (Schirmmütze) of a Luftwaffe non-commissioned officer of World War II (1939-1945). Model in a variant with yellow piping - worn by aviation personnel. Typical Luftwaffe form with a high otter and distinctive profile. On the front you can see aluminum emblems: the Luftwaffe eagle and a wreath with a bow. The cap was denazified - in accordance with post-war regulations, the swastika symbol was removed. All in very good state of preservation, with no rubbing of the material or deformation of the structure. Wool fabric (feldgrau with a slight purple tint), yellow piping (Fliegende Truppe), red trim, embossed aluminum decorative elements, black lacquered visor, cream-colored linen-cotton lining.

Mask of Shame – “Schandmaske,” Central Europe (Germany?), ca. 1550-1700

6660,00 
A rare and authentic example of the so-called mask of shame ( Schandmaske), forged from a single piece of iron. It resembles the face shield used in German-type Salada helmets with a movable shield. Like the shields in Salada helmets, it was a movable piece, fixed on two rivets, retained at temple level. Unlike helmet shields, the mask was made of thin sheet metal, with narrow eye openings that significantly limited the field of vision. The features that distinguish it from helmet shields are also the grotesquely depicted nose and the rather careless manner in which it was made. These features were related to its functionality - the mask was intended to attract attention and arouse pejorative associations with the person who wore it, rather than serve as protection during battle.

Moneybox in the form of a skull, wood, iron, Central Europe (Germany?), 18th century.

6800,00 
A unique moneybox made of carved wood in the form of a realistically depicted human skull. On the vault is carved a Latin cross with fleurons at the end of the arms. The arms of the cross are filled with horizontal ribs. An opening for inserting coins has been incorporated into the lower arm. At the height of the upper arm's termination is a movable wrought iron handle. In the occipital part there is a flap, closed with a peg, set on a single massive hinge. The skull is covered with a dark brown substance of organic origin.

Pair of skulls joined by occiputs, wood, Germany, 1635

3500,00 
A unique item in the form of a pair of connected wooden skulls, most likely serving a symbolic function (memento mori). Sculpture made of wood covered with white and brown paint; designed for hanging – with a hanger made of braided, forged iron rod. On the underside, the date “1635” and a faintly legible creator's signature – “Lond” (?) F(ecit). Visible signs of age, wear on the iron loop, patina. High quality carving with anatomical details, including realistically rendered eye sockets, teeth, and cranial sutures.

Polish votive plaque with an image of a nobleman, repoussed silver, Poland, 17th-18th century.

1700,00 
A votive plaque made in Poland in the 17th-18th centuries, depicting a bust of a man in a kontusz outfit,

The “Miscellaneous” category encompasses art and craftsmanship that escape traditional divisions into painting, sculpture, or decorative arts. It consists of three subcategories: Cabinet of Curiosities (Wunderkammer), Lifestyle and Epoch, and National Heritage. This is an interdisciplinary category that brings together ritual, everyday, symbolic, and documentary objects, often carrying strong emotional or historical weight. It includes both extraordinary and unsettling items (such as skulls or occult artifacts), elements of daily life from past eras (clothing, furniture, accessories, photographs), as well as artifacts connected with national memory and historical identity. Their common feature is contextual meaning: these are not merely objects, but stories, symbols, and emotions.

The development of this category followed different paths depending on the needs of each era and the function of the objects. Cabinets of Curiosities originated in the Renaissance and Baroque as collections of marvels at the crossroads of nature, art, and science. Preserved skulls, anatomical models, memento mori, or astronomical instruments formed part of these ensembles, combining magic with empirical inquiry. In the 19th and 20th centuries, new objects of daily life appeared, now grouped under Lifestyle and Epoch: personal accessories, travel equipment, musical instruments, photographs, toys, handicrafts, or furniture. In parallel, during times of war and foreign partitions, patriotic and national objects acquired particular importance - medals, banners, historical iconography, as well as artifacts commemorating key events and figures. Each of these lines of development brought its own aesthetics, techniques, and functions.

In today’s culture and interior design, the “Miscellaneous” category gains importance as a source of unique narratives that break the patterns of classical collections. It is ideal for individualists, history enthusiasts, and curators seeking non-obvious accents. Objects from the Cabinet of Curiosities bring into interiors an aura of mystery, contemplation, and intellectual unease. Items from the Lifestyle and Epoch subcategory serve as retro styling elements, soulful decorations, or starting points for stories about everyday life in past centuries. Patriotic and national artifacts fulfill not only a collecting function, but also an educational and identity-forming role.

“Miscellaneous” is a category of immense collecting, curatorial, and investment potential, because it includes objects that not only decorate, but also tell stories.