Moneybox in the form of a skull, wood, iron, Central Europe (Germany?), 18th century.

6800,00 
A unique moneybox made of carved wood in the form of a realistically depicted human skull. On the vault is carved a Latin cross with fleurons at the end of the arms. The arms of the cross are filled with horizontal ribs. An opening for inserting coins has been incorporated into the lower arm. At the height of the upper arm's termination is a movable wrought iron handle. In the occipital part there is a flap, closed with a peg, set on a single massive hinge. The skull is covered with a dark brown substance of organic origin.

Pair of skulls joined by occiputs, wood, Germany, 1635

3500,00 
A unique item in the form of a pair of connected wooden skulls, most likely serving a symbolic function (memento mori). Sculpture made of wood covered with white and brown paint; designed for hanging – with a hanger made of braided, forged iron rod. On the underside, the date “1635” and a faintly legible creator's signature – “Lond” (?) F(ecit). Visible signs of age, wear on the iron loop, patina. High quality carving with anatomical details, including realistically rendered eye sockets, teeth, and cranial sutures.

Plaque with Suchekomnaty coat of arms and panoplies, silver and silk, Poland, 18th century.

2600,00 

Oval plaque made of forged silver sheet, from the second half of the 18th century, with an engraved Suchekomnaty coat of arms on a shield surrounded by panoplies, surmounted by a crown, and a monogram “P. J.” . In the 1820s–1830s the plaque was sewn onto an ornate, soft textile backing made of alternating layers of amaranth and ecru silk fabrics. The background is adorned with hand embroidery crafted from silver purl, sequins, and sheet metal appliqués forming floral compositions. Two wax seals are preserved on the reverse.

Originally, the plaque may have served a sepulchral function, placed on a coffin or above an epitaph. Its placement on a silk cushion and the presence of seals likely indicate a family and sentimental character. The panoplies resemble compositions known from gorgets of the Bar Confederation era. This may suggest that the person with the initials “P. J.” was a participant. Little is known about the object's origin; it was reportedly owned by a monk from Greater Poland.

Przeworsk belt buckle, gilt silver, Poland, 17th century.

5600,00 
The buckle was part of the fastener of the Przeworsk belt, which was part of the representative attire of the Polish nobility. It was made in the 17th century, when Przeworsk belts were gaining popularity. It was forged from silver, and traces of old gilding remain in places. The central part of the bracket is filled with a figural scene: a standing female figure between columns, with two seated women on either side. Above them are visible swans with their necks facing the central figure. Around the scene, a geometric pattern is engraved on the diagonal sides of the buckle, forming a decorative border. Rivet heads are visible at the edges. On the side there is a cast openwork application, the so-called "tongue".

Przeworsk belt buckle, silver, Poland, 17th century.

6000,00 
The buckle is a part of the fastener of the Przeworsk belt, was made of silver and dates back to the 17th century. Przeworsk belts were part of the representative attire of the Polish nobility, so the buckles were decorated with striking scenes and rich ornamentation. This is a larger, massive piece, rather intended for a man. The central part of the buckle is filled with a figural scene showing a man holding a scepter or torch, depicted between two standing griffins. The spaces between the figures are filled with single swirls and flowers typical of Baroque design. An engraved geometric pattern is placed on the slanted sides of the buckle. At the edges of the scene the heads of the fastening rivets are visible, and on the side of the buckle there is a cast openwork application, the so-called "tongue".

Skull on a quadrilateral console, wood, Germany (?), 18th, 19th century.

630,00 
A realistic representation of a human skull, set on a console with a trapezoidal cross-section, tapering downwards. The console is decorated with a geometric ornament of simple grooves. On the back there is a wire for hanging the sculpture on the wall. The skull was made of a different kind of wood than the console, and is undoubtedly older than it. It is probably dated to the 18th century, when sculptures depicting miniature skulls symbolizing "memento mori" were particularly widespread. At the same time, it cannot be ruled out that it did not constitute a separate entity, but was an element of some representation, such as placed at the base of a crucifix.

Wooden Spoon with ‘V’ Initial, Germany, 19th Century.

520,00 

This hand-carved wooden spoon, 23 cm long, originates from Poland and is dated to the 19th century or earlier. The deep, functional bowl shows clear signs of use. The handle is adorned with serrated line carvings and a 'V' initial, likely for owner identification. A leather strap with an old collector's paper tag remains attached to the end.

In the 19th century in Poland, spoons of this type were among the basic items of everyday use on rural and pastoral farms. They were made by hand from a single piece of wood, which was part of the tradition of Polish folk craftsmanship, based on simple, durable materials.

Copies with preserved markings are rare today, documenting the development of Polish material culture and everyday practices of village life.

Baroque votive plaque depicting a nobleman, repoussé silver, Poland, 17th–18th century.

1700,00 
A votive plaque made in Poland in the 17th-18th centuries, depicting a bust of a man in a kontusz outfit,

Belt link, gilded silver, Poland, 17th century

470,00 
A gilded silver belt element in the form of a rectangular segment with open sides, creating an opening that allows a leather strap to pass through. At the bottom there is a loop designed for hanging a decorative element. Links of this type likely formed a sequence of repeating belt segments; loops may have been present only on some of them and served to suspend decorative additions, such as small chains. The decorative side is divided by a vertical double rib into two symmetrical fields. In each of them, three stylized flowers are arranged symmetrically. The background between them is concave, with a fine, granular texture, probably achieved by punching. The whole is surrounded by a narrow, smooth border.