The 19th century brought revolutionary changes to painting. At first, there was a return to Realism, but this era was short-lived due to profound social transformations brought about by the Industrial Revolution. New artistic trends emerged primarily in Paris, which became the capital of the art world.
The supply of 19th-century paintings is limited, much like that of the Old Masters. Their value continues to rise steadily, while acquisitions by museums further reduce the number of works available on the market.
Alexander Sochaczewski (1843-1923), Portrait of an elderly woman, oil on canvas, Munich, 1884-1897
The painting depicts an elderly woman, shown in a bust view, against a dark, neutral background. The figure is wearing a magnificent headdress - a large decorative cap with lace and a wide satin bow, from under which dark curls protrude. The woman's face has been portrayed in a realistic manner, with attention paid to fine details such as delicate wrinkles, subtle shadows around the eyes and soft chiaroscuro transitions on the skin. A large, softly placed shawl is visible under the neck, completing the elegant character of the portrait. The painting is signed on the back and framed in a Biedermeier style frame.
Bitwa pod Mochaczem, olej na płótnie, Kraków, 1886
Obraz przedstawia scenę bitwy pod Mohaczem z 1526 roku, ukazując moment gwałtownego starcia wojsk chrześcijańskich z armią osmańską. Kompozycja ma charakter wielofiguralnej sceny bitewnej, skoncentrowanej na dynamicznej walce jazdy i piechoty, z wyraźnym akcentem położonym na chaos i dramatyzm pola bitwy. Artysta operuje zwartą, gęsto zaludnioną kompozycją, w której sylwetki walczących ludzi i koni wypełniają niemal całą powierzchnię płótna. Dzieło zostało wykonane w technice oleju na płótnie i jest sygnowane w lewym dolnym rogu: „Kraków 1886”.
Stanislaw Debicki (1866 – 1924), Portrait of a hunter with a shotgun, watercolor on paper
Portrait of an elegant hunter. The painting depicts a middle-aged man, shown from the right semi-profile. He is dressed in a light gray hunting outfit, hat and black gloves; in his left hand he holds the barrel of a double-barrelled shotgun. Signed in lower right corner: St. Debicki. Done in watercolor technique on paper. Subdued colors - dominated by grays, beiges, greens and blues.