Old Master painting encompasses all works created from the Middle Ages to the end of the 18th century. During the medieval period, sacred art dominated, executed in tempera on wood and intended for churches and chapels. These paintings were distinguished by their masterful craftsmanship and extraordinary attention to detail.

Circle of Jan Wijnants, Landscape with Hunters and Travelers by a Lake, oil on panel, Netherlands, 17th century.

7300,00 
This painting depicts a landscape featuring hunters and travelers on a path alongside a lake. Several tall trees dominate the center. A lake is visible to the left, bordered by a road receding towards the horizon. The foreground shows two hunters with a child and a dog, with additional travelers appearing further back. The strategic placement of human figures (staffage) across various planes imbues the landscape with depth. A hill and forest are silhouetted on the horizon. The artwork is presented in a 17th-18th century Baroque frame. The composition, characterized by the interplay of a body of water, a road, human and animal figures (staffage), and centrally placed trees, distinctly echoes the style of Jan Wijnants.

Egbert van Heemskerck the Younger (1676–1744), Tavern Scene, oil on canvas, England, after ca. 1695

9200,00 
The painting depicts a genre scene set inside a tavern. A group of men in simple attire indulge in revelry, singing, and drinking. The central figure is a standing man, raising a goblet with one hand and holding a jug in the other. The other figures sit at a table, singing. The rest of the composition fades into the shadows of the dark room. The painting is by Egbert van Heemskerck the Younger, an English painter specializing in festive and genre scenes. The work is signed with the monogram 'HK' (in ligature) in the lower left corner. The painting, registered in the database of the Netherlands Institute for Art History (RKD), has been exhibited at Phillips Auctioneers (Fine old master paintings, December 2, 1997, lot number: 229) and Sotheby’s (Old master paintings, May 10, 2011, lot number: 74).

German-Italian Master, Image from the Cross, oil on board, Western Europe, 16th century.

6600,00 
German-Italian master from the 16th century (imitator of Rogier van der Weyden), Picture from the Cross. The foreground depicts Jesus taken down from the cross with his eyes closed and Mary kneeling before him in a dark blue cloak and white headdress. She looks lovingly at her son and embraces Him with her right hand. In the back on the right stands Joseph of Arimathea, supporting the body, and on the left St. John the Evangelist. In the background, the view stretches into the distance, revealing parts of the cross and a ladder. The scene is depicted mainly in primary colors. Board dimensions: 70 x 53 cm; framed painting, carved frame, gilded 18th century (dimensions with frame: 79.5 x 64 cm). Painting on display at the auction of paintings by old masters of the Hampel auction house in Munich (Ale Meister, part II, 27.06.2019, lot No. 770). It is believed that there are many versions of this design, all of which probably derive from a lost prototype from the 1540s by Rogier van der Weyden.

Giacomo Francesco Cipper – “il Todeschini”, Young man eating from a wooden bowl, oil on canvas, Italy, 1st third of the 18th century

7000,00 
The portrait shows a young man hailing from the plebeian strata, framed in half pose, sitting against a neutral dark background. The boy is facing frontally, his cheerful expression emphasized by a wide smile revealing his teeth. In his right hand he holds a large wooden bowl, while in his left hand he holds a spoon with which he scoops up the food. The young man is dressed in a white shirt and a simple chestnut cubicle, as well as a tricorn, which is a distinctive triangular hat, decorated with a feather. In the lower left corner of the painting, a section of the table is visible, on which lies an unleavened loaf of bread. The color palette is maintained in tones of warm browns, reds and ochres, with clear chiaroscuro contrasts that artfully model the face and hands and bring out the figure from the dark background.

Gillis van Tilborgh (ca. 1625 – ca. 1678) – workshop or circle, Interior of an inn with backgammon players, oil on duplicated canvas, Netherlands, ca. 1650-1670

6800,00 
An outstanding example of 17th-century Dutch genre painting, closely associated with the circle and workshop of Brussels-based master Gillis van Tilborgh. The composition depicts an expressive scene, classic for the period, in the interior of an inn, where a group of villagers are indulging in popular pastimes: playing backgammon, smoking tobacco and drinking liquor. In the foreground, two men sit at a low table, focusing their attention on a game of backgammon. The man on the left, wearing a yellow caftan and red pants, raises a glass of liquor. His opponent on the right, dressed in a light gray outfit with a white collar, sits thoughtfully with his eyes downcast, holding a white scarf in his hand. Behind the players sits a man in a red cubicle smoking a long clay pipe (an attribute of vanity pastimes and the theme of vanitas). Next to him, a figure in a brown hat emerges from the depths of the shadows, while to the right a younger man in a red cap focuses his attention on the woman seated in front. Clad in a bright blue dress with a white collar and a white cap, she is a prominent element in the composition. She holds in her hand a clay jug with a tin lid. Her gaze is directed to the side, beyond the area of the main game, which introduces an element of psychological distance into the scene. Surrounding the figure are everyday objects emphasizing the plebeian character of the place: a wooden barrel (on the left), clay bowls, a white cloth on a wooden stool and heads of cabbage on the right. In the background, on the left, in an open doorway or passageway, the silhouette of another man can be seen observing the gathering. Dimensions: 57 cm (height) x 75.5 cm (width) ; with frame: 65 cm (height) x 83 cm (width) Weight: 3.8 kg

Govert Camphuysen (1623/1624-1672) – attributed, Landscape with cattle grazing in front of a hut, oil on board

7200,00 

In front of the village thatched hut, sheep, a cow and a goat are grazing. Next to it, a villager is sleeping under a tree. To the left of the composition, a second scene is visible: a man leading a bull over a small bridge over a stream. In the background is a landscape with trees and gentle hills, and the sky occupies a large part of the painting, building the mood of the whole scene. What draws attention is the exquisite way in which the animals are depicted. This was a specialty of Camphuysen, whose work was inspired by the style of Paulus Potter. Warm, earthy colors dominate - browns, ochres, dim greens and broken yellows. The light is soft, diffused, as if in the early morning or towards evening. The sky has shades of gray, beige and soft pink, suggesting changing weather or impending dusk. The contrast between the bright sky on the left and the darker, more saturated part with the cottage on the right gives the image depth and balance.

John Baptist Lambrechts (1680 – after 1731), Genre scene in an inn, oil on board, ca. mid-18th century.

3500,00 
An intimate genre scene, attributed to Flemish painter John Baptist Lambrechts. The center of the depiction is formed by three figures: a woman in a red skirt and green kaftan with a distinctive white scarf around her neck, a man in a red cap and a woman standing behind, who participates in the conversation. Next to her stands a set table, covered with a colorful cloth, on which the white shawl - a hallmark of inn scenes by Lambrechts - could not be missing. A gesticulating man addresses a woman who, with a glass in her hand, looks calmly at the viewer. On her shoulders is a white shawl tied over her breasts: an element characteristic of Lambrechts' painting, present in almost all his depictions of women. The painting betrays the characteristics of a good painter's workshop such as skillfully developed chiaroscuro, the way of depicting the details of fabrics and tableware attest to the artist's technical maturity. The composition is static, but full of subtle emotional tensions.

John Baptist Lambrechts (1680 – after 1731), Genre scene in an inn, oil on board, ca. mid-18th century.

3500,00 
An intimate oil painting on board attributed to Jan Baptist Lambrechts, a leading painter of genre scenes of 18th-century Flanders. The composition shows a couple in an inn: the woman turns to the man reproachfully, the man looks away, holding a jug and a glass. The scene alludes to everyday domestic tensions and the problem of alcohol abuse. The painting is distinguished by realistic social observation, the play of light and the artist's characteristic details like a plate with clamshells and a white scarf. The subject matter and style are perfectly in line with the trend of moralistic bourgeois painting popular in Flanders.

Portrait of a nobleman (Sarmacki portrait), oil on canvas, Poland, 18th century.

26000,00 

The portrait, originally rectangular and later cut down to an oval and relined, depicts an elderly man in noble (szlachecki) attire characteristic of the 18th century. The figure is shown half-length, facing frontally with a slight turn of the torso and one hand resting on the hip, which lends the composition a sense of dignity and static elegance.

The face, with mature features such as a high forehead, short, thinning grey hair, and subtle wrinkles — is rendered realistically, with attention to individual physiognomic traits. The gaze is calm and restrained, conveying charisma and composure, as well as an established social standing. This is further emphasized by the impressive noble (szlachecki) attire: a żupan embroidered with gold thread, a dark blue kontusz lined with red fabric, fastened with large gold buttons, and a wide, light-colored sash tied around the hips.

The painting is an excellent example of the so-called “Sarmacki portrait”, emphasizing social class affiliation, wealth, and official position. It stands out for its solid artistic craftsmanship, naturalistic treatment, and the mature age of the sitter.