Natan Korzen (1895 – 1941), Landscape from Kazimierz Dolny overlooking the synagogue, 1930s.
Nathan Gutman (1914 Warsaw – 1990 Paris), Female Nude, oil on cardboard, Paris (?)
Pair of skulls joined by occiputs, wood, Germany, 1635
Plaque with Suchekomnaty coat of arms and panoplies, silver and silk, Poland, 18th century.
A unique heraldic-votive plaque, centered around an oval silver plaque dating from the late 18th century. It is engraved with the Suchekomnaty coat of arms featuring panoply motifs (knightly armament), mantling, a helmet, and a hunting horn, crowned with a noble coronet and the monogram "P.J.". The plaque was in the 1920s-1930s sewn onto an ornate, soft textile backing made of alternating panels of amaranth and ecru silk fabrics. The background is adorned with hand embroidery crafted from silver purl, sequins, and metal applications forming floral compositions. Two original red wax seals remain on the reverse.
Portrait of Franciszka Krasinska, oil on canvas, Poland, ca. 1760
Przeworsk belt buckle, gilt silver, Poland, 17th century.
Przeworsk belt buckle, silver, Poland, 17th century.
Rama, marble, India, 19th century.
A sculpture depicting Rama, one of the most important deities of Hinduism, considered the seventh avatar of Vishnu. The object was hand-carved in white marble in India, probably in the 19th century.
The figure is depicted standing, facing forward. The face has a gentle expression with a soft smile and slightly closed eyes. The head is crowned with a decorative crown, and long necklaces are visible on the chest.
The figure is dressed in a draped robe with clearly marked folds. On its back is a quiver with arrows, characteristic of Rama's depictions.
The hands of the sculpture are not preserved, originally in one of them the figure held a bow - a characteristic element of representations of this deity. Further about these cavities do not write that they are consistent.
Rama is the hero of the epic Ramayana and in the Hindu tradition symbolizes righteousness and fidelity to the principle of dharma. His images occupy an important place in Indian sacred art, although full-figure marble sculptures of this scale are less common.
The object is preserved in good condition, with clear legibility of form and detail.