“Apostle” spoon with St. Simon, silver, England, 18th century.

2100,00 
Spoon, so called "apostolic" with a handle topped with a full-figured figure of St. Simon Zelota holding a saw, which is his attribute. The head of the saint topped with a circular shield with a representation of a bird (probably a dove symbolizing the Holy Spirit). Item of liturgical or collectible nature.

“Apostle” spoon with St. Thomas, silver, England, 18th century.

2100,00 
Apostolic spoon with a full-figure figure of an apostle holding a book and a scepter. The saint's head surmounted by a circular shield with a representation of a bachelor's cross with a ball in the center. The design is typical of English liturgical silver of the 18th century.

Alexander Sochaczewski (1843-1923), Portrait of an elderly woman, oil on canvas, Munich, 1884-1897

4400,00 
The painting depicts an elderly woman, shown in a bust view, against a dark, neutral background. The figure is wearing a magnificent headdress - a large decorative cap with lace and a wide satin bow, from under which dark curls protrude. The woman's face has been portrayed in a realistic manner, with attention paid to fine details such as delicate wrinkles, subtle shadows around the eyes and soft chiaroscuro transitions on the skin. A large, softly placed shawl is visible under the neck, completing the elegant character of the portrait. The painting is signed on the back and framed in a Biedermeier style frame.

Altar Bust of Saint James the Greater, Linden Wood, Lower Silesia, Turn of the 15th/16th Century.

5000,00 

This Late Gothic altar bust depicting Saint James the Greater (the Apostle) was created at the turn of the 15th and 16th centuries, approximately between 1490 and 1510. It represents the mature guild craftsmanship associated with the Lower Silesia region, with a particular emphasis on the workshop circle active in Wrocław or Świdnica. The object's flat-cut, raw reverse, bearing clear traces of medieval tools such as an adze or a profiling chisel, unequivocally confirms the sculpture's original purpose for mounting in an altar cabinet or predella.

Height: 32 cm Width: 24 cm Depth: 16.5 cm Weight: 1.99 kg

Apsara / Surasundari, marble, India, 19th century.

900,00 
The sculpture depicts Apsara (heavenly nymph) or Surasundari (heavenly beauty), personifying the perfection of divine creation, joy and prosperity. The figure's face is characterized by full, round cheeks and a prominent chin. Almond-shaped eyes with well-defined eyelids are devoid of notched pupils. The face exudes a gentle, puzzled smile. The hair above the forehead has been carved into thick strands. Above them rises a stepped crown (mukut) with a structure decorated with concentric arches and geometric reliefs imitating pearls, topped with a floral bud. The figure wears a close-fitting skirt, with smooth sides and a deeply pleated front, expanding cup-like around the feet. A triple-length necklace flows over the chest and hips. A traditional epaulet (Bayuband) with geometric ornament is preserved on the broken off left shoulder. The figure is framed in a dancing and sensual twist of the body, which is a development of the classical Tribhang pose. The profile of the sculpture shows the forward extension of the abdomen and the retreat of the back line, which gives the composition fluidity and dynamism. The body of the sculpture was conceived exclusively for frontal and side display. The back of the figure and the back of the nimbus shield are completely flat, austere and devoid of details - this plane was directly adjacent to the wall or pillar of the temple. Dimensions: 35 cm (height) x 10 cm (width) x 7 cm (depth) Weight: 2.6 kg

Balsamarium / Scatozza 49 Type Toilet Flask, glass, Roman Empire, 1st/2nd century AD.

2000,00 

A complete, ancient Roman unguentarium (balsamarium), this piece is a classic example of a luxurious toilet vessel with rare and highly specialized morphology. In the rigorous archaeological classification of glass from the Vesuvius region, this vessel represents the Scatozza 49 form (the Italian equivalent of the De Tommaso 14 type). In Clasina Isings' classic, pan-European classification, this object is positioned as an early transitional variant of the Isings 82 form (displaying evolutionary characteristics between Isings 28 and 65 types), making it exceptionally interesting from the perspective of Roman glass craftsmanship development. The artifact dates from the early Imperial period and exhibits workshop characteristics typical of manufactories operating in Italy and the western provinces of the empire during the second half of the 1st and early 2nd century AD (Flavian period).

Height: 14.2 cm Rim diameter: 4.8 cm Maximum body diameter: 7.8 cm Weight: 54.0 g (wall thickness approx. 1 mm)