“Apostle” spoon with St. Simon, silver, England, 18th century.

2100,00 
Spoon, so called "apostolic" with a handle topped with a full-figured figure of St. Simon Zelota holding a saw, which is his attribute. The head of the saint topped with a circular shield with a representation of a bird (probably a dove symbolizing the Holy Spirit). Item of liturgical or collectible nature.

“Apostle” spoon with St. Thomas, silver, England, 18th century.

2100,00 
Apostolic spoon with a full-figure figure of an apostle holding a book and a scepter. The saint's head surmounted by a circular shield with a representation of a bachelor's cross with a ball in the center. The design is typical of English liturgical silver of the 18th century.

Afrika Korps tropical helmet, cork and canvas, Germany (North Africa), 1941

2200,00 

A tropical cork helmet (Tropenhelm) used by soldiers of the German Afrika Korps (Deutsches Afrikakorps, DAK) during the North African campaign of 1941-1943. Made of lightweight, hardened cork covered with beige canvas. On the sides are metal insignia: on one side a tricolor national shield (black-white-red), on the other a Wehrmacht eagle holding a swastika. The inside of the helmet is lined with red lining, with a preserved leather potnik and a fragment of the chin strap. The potnik bears the manufacturer's stamp HR41 (Heinrich Radecke, Hamburg, 1941).

All in very good state of preservation, with natural wear to the fabric at the edges of the brim and minor rubbing. Despite the broken chin strap, the structure remains fully stable. The helmet is preserved in its original condition, without conservation interference.

Alexander Sochaczewski (1843-1923), Portrait of an elderly woman, oil on canvas, Munich, 1884-1897

4400,00 
The painting depicts an elderly woman, shown in a bust view, against a dark, neutral background. The figure is wearing a magnificent headdress - a large decorative cap with lace and a wide satin bow, from under which dark curls protrude. The woman's face has been portrayed in a realistic manner, with attention paid to fine details such as delicate wrinkles, subtle shadows around the eyes and soft chiaroscuro transitions on the skin. A large, softly placed shawl is visible under the neck, completing the elegant character of the portrait. The painting is signed on the back and framed in a Biedermeier style frame.

Battle of Mohacz, oil on canvas, Krakow, 1886

30000,00 
The painting depicts the Battle of Mohács of 1526, showing the moment of violent clash between Christian forces and the Ottoman army. The composition is a multi-figure battle scene, focused on the dynamic combat of cavalry and infantry, with clear emphasis on the chaos and drama of the battlefield. The artist employs a compact, densely populated composition in which the silhouettes of fighting men and horses fill nearly the entire canvas surface. The work was executed in oil on canvas (lined) and is signed in the lower left corner: "Kraków 1886".

Cabinet Reliquary with Relic of the True Cross and 26 Saints, wood, textiles, Central Europe, 18th century

4000,00 

An 18th-century Baroque cabinet reliquary, a freestanding wooden display case of trapezoidal form, containing a total of 27 relics. The side walls and top are chamfered, widening toward the front. The interior is lined with burgundy velvet, trimmed with decorative borders of gold bullion thread.

At the center, set slightly forward from the back, is a raised textile reliquary in the form of a monstrance, embroidered with gold thread and richly adorned with bullion, filigree, miniature beads, and multicolored glass imitating precious stones. On the base and shaft are placed six relics, identified by inscriptions painted in gold on dark blue banderoles.

Within the central repository is a reliquary capsule with a convex glass cover, containing two fragments of the True Cross, surrounded by a radiant glory.

Above the “monstrance” is an oval image with an indistinct representation, encircled by 20 additional relics interspersed with decorative elements of bullion, beads, gold thread embroidery, and colored glass. At the level of the nodus are two larger relics (Ex Ossibus) of Saint Vincent and Saint Fortunatus, uniquely labeled on white banderoles.

A distinction should be made between a reliquary and a reliquary cabinet: a reliquary is a vessel that directly contains relics, whereas a cabinet reliquary serves as a structure housing and presenting them. This object is therefore not a typical example, as—besides the central textile reliquary in the form of a monstrance containing fragments of the Cross on which Jesus Christ died—it also incorporates an additional 26 relics of various saints placed directly within the composition, without individual containers.

Their preservation is ensured either by a fine mesh covering or solely by labeled banderoles. The relic of the True Cross is the only one enclosed within a glazed, and undoubtedly sealed, capsule.

The interior of the case, measuring 37.3 × 26.5 × 10 cm, is lined with burgundy velvet, trimmed with gold bullion thread.

Capital with Figural Decoration, Sandstone, France, 12th-14th Century

2700,00 
Cylindrical stone capitol, decorated with carved representations of male faces with mustaches and nude female figures. The top edge decorated with a band of ornaments. The interior is deeply grooved. The surface of the object bears clear traces of use - deposits and wax residues are visible. The style of the sculpture refers to Romanesque or early Gothic architecture.

Cartoon with a representation of a usekh necklace, Egypt, 1st millennium BC.

3300,00 
Cartonage (canvas covered with gypsum and polychrome) with a depiction of a wide necklace called a "usekh" collar, ancient Egypt, 1st millennium B.C. The collar has a semicircular form and is composed of several zones of ornament separated by narrow yellow bands. The different zones are filled with diverse decorative motifs: a row of circular ornaments filled with dots, imitating glass or faience beads, stylized "pendants," strips with alternating triangular segments, and rows of spindle-shaped ornaments. At the top, in the center, is a rectangular field with a representation of Horus, shown in profile in a seated position, facing right, inside a stylized temple. The sides of the collar show depictions of a red disk above the head of a falcon or hawk - most likely a depiction of the head of the god Ra with a solar disk. It is impossible to say conclusively whether the offered collar covered the coffin or directly the mummy of the deceased, as both possibilities are possible. Without specialized research, its dating should be placed in a wide range covering the 1st millennium B.C. However, it is worth noting that similar decorative motifs appear on a cartonage collar from the collection of The Michael C. Carlos Museum in Atlanta, dated to 1069-750 B.C. (object no. 2018.010.254).

Chapel with Our Lady of Czestochowa and Eagle, Poland, 19th century.

3000,00 
A unique, 19th century chapel (pendant medal) of large format, depicting the image of Our Lady of Czestochowa with the infant Jesus. The front is decorated with an engraved representation of the icon with hand-polychrome faces, robes and halos. In the rim is a Latin inscription: "TERRIBILIS UT CASTRORUM ACIES ORDINATA" a quote from the Song of Songs, read as a symbol of Mary's strength as protector and queen. On the back there is a classical eagle with a crown, coat of arms and outspread wings, typical of the iconography of the Kingdom of Poland, and a ribbon with an inscription: "REGINA POLONIAE - MISERERE MEI" (Queen of Poland - have mercy on me).The chapel is made of uniform silver-plated sheet metal (brass or alpaca), with a hanging handle. A product with a strong symbolic charge, popular especially during the periods of partitions and national pilgrimages to Jasna Gora.