Fragment of an antiphonary page with illuminated initial, parchment, Europe, 15th century
4100,00 zł
The fragment of the page visible within the frame is entirely occupied by a historiated initial “O”. The figural scene within depicts a haloed youth dressed in secular attire giving alms to an old beggar supported by crutches. He is accompanied by a young woman and an older man, with urban architecture visible in the background.
The reverse side features a fragment of Latin liturgical text written in Gothic minuscule and musical notation using square neumes (predecessors of notes used in medieval Europe) on a four-line staff, characteristic of Gregorian chant. The presence of the formula “Euouae” (a notation of vowels from the phrase saeculorum Amen), typical of psalm endings in antiphonal arrangement, allows identification of the notation as a fragment of an antiphon. The page also features a decorative initial “O” beginning a new antiphon.
The page is framed in a 19th-century gilded frame with a gently curved upper edge.
An object of extraordinary aesthetic and collectible value. A great rarity on the market!
Sprzedane
The depiction of a youth in courtly dress distributing money to a pauper, in the presence of a young woman and an older man, may reference the iconography of St. Alexius. In his legend, Alexius, son of a wealthy Roman patrician, leaves his family home immediately after marriage, having first distributed his wealth to the poor. In this interpretation, the young woman could be understood as his wife, and the older man as his father. However, the absence of definitive attributes does not allow for certain identification of this figure.
In medieval antiphonaries, historiated initials often illustrated a moral idea, referring generally to the meaning of the text. In this interpretation, the scene could constitute a universal representation of caritas, rather than referring to a specific saint's story.
| Weight | 1,2 kg |
|---|---|
| Dimensions | 20 × 18 cm |
| Type |
Page from an antiphonary |
| Form |
Framed liturgical manuscript page |
| Kolorystyka |
Blue ,Gold ,Gray ,Green ,Red |
| Technika |
Gilding ,Tempera on parchment |
| Czas powstania |
15th century |
| Era |
The Middle Ages |
| Kraj pochodzenia |
Europe |
| State of preservation |
Very good; only microcracks in the paint layer typical of age |
Related products
Battle of Mohacz, oil on canvas, Krakow, 1886
Christ Salvator Mundi, polychrome wood, Poland, 19th century.
Dutch School, Ships in a Storm, oil on canvas, Netherlands (?), 2nd half of the 18th century.
Hendrik van Steenwijk II (ca. 1580 – 1649) – circle, Interior of a Gothic church, oil on board, Flemish school, 17th century.
The painting depicts the interior of a Gothic church, executed in the Flemish school of the 17th century, in the circle of Hendrick van Steenwijk i.e. one of the pioneers of perspective painting. The composition, built on an axis leading towards the main altar, shows a monumental interior with pillars, cross-ribbed vaults and side chapels. Figures of the faithful and clergy are visible in the space, introduced to emphasize the scale of the architecture and the mood of concentration.
The painting was made with oil technique on board, in typical Flemish school style. The frame is original, wooden, veneered, with preserved gilt edge.
The composition refers to the solutions used by Hendrick van Steenwijk the Elder and Younger, as well as Pieter Neefs and Bartholomeus van Bassen, developing the genre of architectural painting in Antwerp and Delft.
Icon of Our Lady of the Dawn Gate, brass, enamel on metal, Poland, 19th century.
John Baptist Lambrechts (1680 – after 1731), Genre scene in an inn, oil on board, ca. mid-18th century.
St. Augustine reliquary with Ex Ossibus relic, polychrome wood, gilded, Italy, 18th century.