Stanislaw Gibinski (1882-1971), Winter scene “On the way to church”, watercolor and gouache on cardboard, Poland, ca. 1930-1940
Table spoon, silver, Poland, ca. 1650
Tablespoon, silver, Poland, c. mid-17th century.
Vajrabhairava in Tantric Union (Yab-Yum) with Vajravetali, gilt and polychromed bronze, Tibet (?), 19th century
The sculpture depicts Vajrabhajrava, or more specifically, his Tantric form. The deity has three heads with angry expressions, crowned with a crown of skulls, symbolizing the direct destruction of illusion. Inside the crown, flames burst forth, a fire of wisdom burning away ignorance. Emerging from them is the head of a gentle animal - it belongs to Vajrabhajrava himself (his higher aspect).
The figure has six arms, symbolizing the multifaceted activity of the enlightened mind, and holds ritual attributes. The outstretched wings are a rarer but significant feature, representing a transcendental aspect and the overcoming of samsaric limitations. Vajrabhairava stands in a dynamic pose on a lotus base, trampling a male and female figure. These figures symbolize ignorance (avidya), attachment, anger, ego, and the illusion of duality.
Wooden Spoon with ‘V’ Initial, Germany, 19th Century.
This hand-carved wooden spoon, 23 cm long, originates from Poland and is dated to the 19th century or earlier. The deep, functional bowl shows clear signs of use. The handle is adorned with serrated line carvings and a 'V' initial, likely for owner identification. A leather strap with an old collector's paper tag remains attached to the end.
In the 19th century in Poland, spoons of this type were among the basic items of everyday use on rural and pastoral farms. They were made by hand from a single piece of wood, which was part of the tradition of Polish folk craftsmanship, based on simple, durable materials.
Copies with preserved markings are rare today, documenting the development of Polish material culture and everyday practices of village life.
Zhang Heng seismograph model, stained bone, China, circa late 19th/early 20th century.
“Toast” Wedding Goblet, glass, Poland (manufactory in Urzecz), ca. 1760-1780.
The bowl cylindrical, slightly tapering towards the bottom, thickened and profiled in the lower part, decorated with dense, regular cutting resembling fish scales. The stem baluster-shaped, faceted (cut). The nodus elaborate, three-part, cut in the same manner as the lower part of the bowl. The foot circular, two-stepped.
On the bowl a double-sided engraved decoration: on one side the initials M.W. under a baronial crown with seven points ending in pearls, on the other a Gothic inscription: "Ile kropli w tym pucharze / Tyle łaski niech Wam w darze / Daje Bóg dobrotliwy / Ze wszech miar miłościwy".
Below, an engraved oak garland with acorn motif, supported by a pair of putta, executed in cutting technique. The putti display proportions and poses characteristic for barok and rokoko.