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Hendrik van Steenwijk II (ca. 1580 – 1649) – circle, Interior of a Gothic church, oil on board, Flemish school, 17th century.

Painting, Up to the 18th Century (Old Masters)

2800,00 zł

The painting depicts the interior of a Gothic church, executed in the Flemish school of the 17th century, in the circle of Hendrick van Steenwijk i.e. one of the pioneers of perspective painting. The composition, built on an axis leading towards the main altar, shows a monumental interior with pillars, cross-ribbed vaults and side chapels. Figures of the faithful and clergy are visible in the space, introduced to emphasize the scale of the architecture and the mood of concentration.

The painting was made with oil technique on board, in typical Flemish school style. The frame is original, wooden, veneered, with preserved gilt edge.

The composition refers to the solutions used by Hendrick van Steenwijk the Elder and Younger, as well as Pieter Neefs and Bartholomeus van Bassen, developing the genre of architectural painting in Antwerp and Delft.

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Kyliks (wine drinking vessel), pottery, Ancient Greece, ca. mid-4th century B.C.

Antiquities, Ancient Greece

800,00 zł

Greek kylix most likely made in Apulia, dated to around the mid-4th century B.C. Classical example of utility ceramics - A chalice used for drinking wine. The vessel is preserved in very good condition, with no cracks or structural defects, with visible signs of age, loss of the firn layer and lime deposit inside. Found in the south of France.

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Lekanis with lid, terracotta, Ancient Greece (probably Beotia), 5th century BC.

Antiquities, Ancient Greece

2300,00 zł

Small ancient ceramic vessel of the type lekanis, dated to 5th century p. Ch. , probably originating in Beotia in central Greece. A vessel with a low, flattened body, with two thin, rising handles and a matching lid ending in a flat button. Made of fine-grained clay with a orange-red shadecovered with dark firnis and decorated with a band of vertical zigzags in brown-black. On the underside is visible an undersized ring foot With concentric circles and lathe marks. Preserved museum numbering applied in ink. The surface of the dish shows typical traces of reduction firing, local discoloration, loss of phirnis and mineral deposits, but the whole is preserved in complete form with the original lid. Lekanis was used in ancient Greece for storing cosmetics, fragrances, jewelry and small ornaments. Vessels of this type accompanied women in daily life, and were also placed in graves as a items of personal use with symbolic significance.

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Oinochoe, terracotta, Ancient Greece, 4th century BC.

Antiquities, Ancient Greece

1500,00 zł

A ceramic vessel, turned on a wheel, used in antiquity as a basic pitcher at Greek feasts (symposion). Oinochoe presents a variant typical of the Greater Greece region with a three-leaf spout, whose innovative form facilitated precise portioning of liquid without spilling. Dark gray/dark brown matte surface with visible mineral deposits and earth deposits. The state of preservation is very good, the handle and spout are complete, which increases the collector and research value. This is a rare utilitarian piece, representing a tangible piece of ancient Italian culture.

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Pawel Wrobel (1913 – 1984), Merry Town, acrylic on canvas, 1973

Painting, Modern art

9500,00 zł

Colorful, dynamic painting by Pawel Sparrow, one of the leading Polish primitivist painters of the 20th century. The work depicts a scene from an amusement park - a chain carousel, a crowd of people, children, a shooting gallery and city buildings in the background. The painting is signed and dated p.d.: Wróbel P. 1973.

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Pieter Neefs II (1620 – 1675/1685), Night Mass in a Gothic Church, oil on board, Flanders, 17th century.

Painting, Up to the 18th Century (Old Masters)

3600,00 zł

The painting depicts the interior of a Gothic church, by Pieter Neefs the Younger (1620–after 1675), a Flemish painter specializing in 17th-century sacred interiors. The composition based on a precise linear perspective leads the eye towards the main altar, around which the faithful and clergy participating in the liturgy are gathered.

The painting was made in oil technique on board, without a visible signature. The upper part of the composition has been cropped, resulting in the loss of the original format and probably also the author's signature.

The work represents the mature style of Pieter Neefs the Younger - precise rendering of space, controlled light and realistic depiction of architecture, characteristic of the Antwerp school. Paintings of almost identical composition appear in several well-known collections and collections - including the Szépművészeti Múzeum (Museum of Fine Arts) in Budapest and a Sotheby's auction (2021).

It is worth mentioning that works from this series are also sometimes attributed to Pieter Neefs the Elder (c. 1578-1656), confirming the strong stylistic affinity between the works of father and son.

Bibliography / links:
- Peeter Neefs I - Invaluable
- Pieter Neefs II - Art Salon
- Pieter Neefs I - Museum of Fine Arts Budapest (Wikimedia Commons)
- Pieter Neefs II - Sotheby's Auction 2021

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Saint John the Evangelist, late Gothic wooden sculpture, ca. 1500

Sacred arts, Sculpture

6400,00 zł

Full-plastic sculpture depicting St. John the Evangelist , made of wood, dated around 1500. The figure is shown in counterpoint, with a slightly bowed head and entwined hands holding a book - an attribute of the Evangelist. The sculpture is preserved in its original polychrome, with a visible structure of pigment layers and natural cracking of the wood.
The work may have been part of a winged altarpiece (retabulum), most likely in the Crucifixion group.

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Sculpture of a god’s head (Zeus or Hercules), marble, Mediterranean basin, Hellenistic period

Antiquities, Ancient Greece, Sculpture

25000,00 zł

Monumental sculpture depicting the head of a bearded god, probably Zeus. The hair and beard form wavy, loose curls; a long mustache descends on the sides and frames the closed mouth. The face has a serious, focused expression, with a slightly flattened nose and furrowed brows. The eyes are carefully modeled, with a distinct upper eyelid, without marked pupils. The sculpture is made of white marble. The piece dates from the Hellenistic period in Greece, circa 300–200 BC.

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Singa Barong, polychrome wood, Indonesia, 19th century.

Sculpture

1800,00 zł

A striking polychrome wood sculpture depicting Singa Barong - a mythical winged lion, known from Balinese and Javanese traditions. The creature is shown in a watchful position, sitting on an ornate base with its mouth open and teeth bared. The figure's appearance is completed by its distinctive bulging eyes, curled tail and mane. Its body is covered with linear motifs resembling tattoos, its breast is adorned with a wide necklace and its front paws with bracelets. The sculpture was most likely associated with a protective function, both in temple and domestic spaces.

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