Reliquary with relic of the Holy Cross and four saints, gilded bronze, Central Europe, 18th century.
8000,00 zł
Baroque reliquary in the form of a monstrance, made of gilded bronze. Oval foot, multi-stepped, decorated with repoussed and engraved floral ornament. Smooth shaft with profiled nodus. Reservaculum surrounded by a gloria The gloria of the reliquary was formed of frayed, numerous rays, over which is superimposed a contrasting decorative wreath covered with rocaille and floral motifs. In the repository is placed an oval capsule made of silver sheet, glazed from the front. Glass at the edge decorated with octagonal faceting. On the back there is a wax seal on strings. The seal bears a coat of arms: in an ornamental cartouche a lion to the left, and below – separated by a beam – an opposite griffin to the left. The whole is crowned with a cardinal’s hat (Galero): a hat with a wide brim and dangling strings with brads (fiocchi), which is a sign of cardinal dignity. Inside the capsule are 5 relics, described in ink on bandoliers – read more in the extended content below.
In the middle: "Lig. SS Crucis " (Lignum S.S. Crucis) is an abbreviation from Latin for Lignum Sanctae Crucis, which translates as the Tree of the Holy Cross. It is a term used on relics, indicating that they contain particles of the Cross on which, according to Christian tradition, Jesus Christ was crucified (the so-called True Cross - Vera Crux).
Above the relic "S. Rochi Conf." which should read: S.[ancti] Rochi Conf.[essoris], and in Polish: Saint Roch the Confessor.
Saint Roch - born in Montpellier, France, died before 1420 in Montpellier or Voghera, Italy; Franciscan tertiary, saint of the Catholic Church. Roch was born as the only son of a Montpellier government official. He lost his parents at a young age. After selling his considerable property, he gave away everything to the poor and set out for Rome. During the plague epidemic, he cared for the infected in northern Italy. He reached Rome, where he performed many miraculous healings. On his return to France, he contracted the plague in Piacenza. To avoid infecting others, he hid in a nearby forest, where a dog would bring him food. After recovering, he went on his way, but at the border he was taken for an Italian spy and died in prison. In Poland, he is revered mainly as a patron saint protecting from pestilence, and is also considered a protector of pets. Liturgical memorial celebrated on August 16.
On the right "S. Sebast. M " or S.[ancti] Sebast.[iani] M.[artyris], which translates: saint Sebastian the Martyr. Saint Sebastian is an early Christian martyr of the 3rd century, a Roman soldier and commander of Emperor Diocletian's guard. According to tradition, he was sentenced to death by archers after revealing his Christian faith; he survived, but was later bludgeoned to death. He is the patron saint of soldiers, athletes and an intercessor during epidemics.
At the bottom: "S. Rosaliae V." or S.[anctae] Rosaliae V.[irginis], which translates: of Saint Rosalia the Virgin. Saint Rosalia of Palermo (c. 1130-1166) is a 12th-century Italian hermit and virgin, venerated in the Catholic Church as a patroness who protects against the plague. She abandoned courtly life to live in a grotto on Monte Pellegrino mountain, devoting herself to prayer. Her liturgical memory is celebrated on September 4.
Left: "S. Fabian. M. " or S.[ancti] Fabian[i] M.[artyris], which translates: saint Fabian the Martyr. Saint Fabian (d. 250) was the 20th Pope of the Catholic Church (236-250), a martyr and saint who died during the persecution under Emperor Decius. He organized the administration of the Roman Church, dividing the city into 7 deaconries. His liturgical memory is celebrated on January 20, and tradition links him to the dove that rested on his head during his election.
| Type |
Relic |
|---|---|
| Form |
Monstrance |
| Materiał |
Bronze ,Crystal ,Gilding |
| Kolorystyka |
Gold |
| Technika |
null |
| Czas powstania |
18th century (1701-1800) |
| Era |
Baroque |
| Kraj pochodzenia |
Central Europe |
| Autor |
Unknown |
| State of preservation |
Gilt rubbing, visible signs of age but overall very good. |
Related products
Chapel with Our Lady of Czestochowa and Eagle, Poland, 19th century.
Frame reliquary in ostensory type, silver repoussed on wood core, Naples, 1778
Richly decorated front covered with repoussed silver sheet. Decoration in the type of mature Baroque with floral (acanthus leaves, volutes) and figurative (plastic heads of putti / angels) motifs. In the lower part next to the ovolo there is a clear municipal punca of Naples: NAP 78 (marking the Kingdom of Naples with the abbreviated date 1778). Silver plate applied to a carved wooden core. The back polychromed in light color, with the original bracket preserved. Wooden base, stepped, with traces of original gilding. Authentic object, preserved in good condition. The silver is covered with a natural dark age patina. The original custody (glazing) and the relic in the central oval are missing. A very interesting and decorative item, not only for those interested in "Neapolitans". Naples in 1778 was a bustling metropolis under the Bourbons, and the goldsmiths' workshops there were famous for their finesse and panache, as can be seen in the dynamic carvings of the angels on the offered reliquary.
German-Italian Master, Image from the Cross, oil on board, Western Europe, 16th century.
Holy Cross monstrance reliquary, gilded bronze, Central Europe, 18th century (ca. 1750)
Rococo reliquary in the form of a monstrance. In the glazed box (ostensorium) there is a cross made of rock crystal, in an openwork silver frame. Inside it are placed relics - small fragments (splinters) from the Tree of the Holy Cross. On the back of the crystal cross, silk threads are visible, binding the relic to the setting, as well as a lacquer seal imprint.
Gloria (rays) - a richly decorated halo in the form of a radial shield, characteristic of a monstrance. On its perimeter, decorated with rocaillas, colored glasses of ruby and green are set, and the whole is crowned by a small cross with a central red eye.
Instead of a simple geometric form, the nodus is formed of twisted, sigmoidal volutes (shapes resembling the letters "C" and "S") that flow seamlessly from one to the other.
The foot is oval, multi-stepped, decorated with repoussed rocaillas. The reliquary represents high-class artistic craftsmanship; it is most likely preserved in "integral" condition.
Icon of Our Lady of the Dawn Gate, brass, enamel on metal, Poland, 19th century.
Irish (Celtic) cross, stone sculpture, Ireland, 19th century.
Madonna and Child, polychrome wood, gilded, Central Europe, 18th/19th century.
Monstrance reliquary in the form of a crucifix with relics of the Holy Cross, gilt bronze, silver-plated, Central Europe, 18th century.
A rococo double-sided reliquary in the shape of a cross with decorative three-leafed arm ends, decorated with silver rosettes and ruby-colored glass. The glazed box (ostensorium) contains a metal, glazed capsule. At its very center, against a bright background, are two splinters arranged in a cross. The relic is surrounded by an elaborate decoration made of silver or gilded metal threads twisted into tiny springs and weaves (known as biont). They form the form of a radial nimbus around a central point. The wreath around the relic is decorated with eight pearls (probably river pearls). The whole was composed on a silk or parchment pad.
Around the capsule a rich, openwork gloria with a dynamic, asymmetrical rococo composition. The decoration is based on rocaille motifs and fancifully twisted volutes of the C and S type, supplemented with artistic floral details (cartilaginous and bivalve ornament). Surface finely chiseled, with preserved gilding in the recesses of the ornament.
The back of the reliquary has a passion character. The figure of the Crucified Christ (Corpus Christi) is placed here. A decorative rosette with green glass is preserved on the right arm of the cross. Mounting holes and rivets can be seen on the other arms.
Baluster shaft, in a simple geometric form. Oval foot, wide and profiled, decorated with repoussed motifs of leaves and flowers, silvered.
