Hercules, bronze, marble, northern Italy (?), 16th century (?).
2600,00 zł
The figurine, depicting Hercules, is modeled after ancient Roman sculptures. This statuette was cast in a light brown, slightly golden bronze alloy. As is usual with early castings modeled on ancient bronzes, the surface of the object has not been thoroughly finished (forging, sawing, etc.). The surface of the legs bears traces of fine forging in the form of a beautifully wavy surface. Details such as eyes, pupils, hair, toes and hands are sharply incised in an engagingly expressive manner. Together, these features strongly indicate an early 16th century date, and a likely workshop origin from one of the northern Italian city-states: Padua, Ferrara or the Veneto region.
In keeping with the ancient archetype, Hercules is depicted here in heroic nudity and elegantly standing in classical counterpoint, with his head turned slightly to the left. In his left hand he probably holds, preserved fragmentarily, the golden apples of Hesperides, which symbolize his eleventh work. In his right hand he probably held a large mace, which he used repeatedly to defeat enemies during his “Twelve Labors.”
The figure stands on a small, round bronze base, set on a marble pedestal.
Dimensions: 15.5 cm (height) x 5 cm (width) x 3 cm (depth); with pedestal 26 cm (height) x 8 cm (width) x 8 cm (depth)
1 in stock
The demigod Hercules was one of the most popular figures of ancient mythology and the epitome of physical strength and courage. His performance of the "Works" symbolized the triumph of good over evil, against all odds.
In university cities such as Padua, Ferrara and the Veneto region, a feverish, intellectual, humanist culture inspired the production and collection of bronze statuettes modeled on surviving ancient specimens. The composition of the statue is reminiscent of examples of Roman figural art, such as the Hercules statue from the collection of the Metropolitan Museum of Art in New York (object no. 26.7.859), dating to the 1st/2nd century after Christ.
| Weight | 1,24 kg |
|---|---|
| Dimensions | 26 × 8 × 8 cm |
| Type |
Sculpture |
| Form |
Figure of a naked man on a pedestal |
| Materiał |
Bronze ,Marble |
| Kolorystyka |
Bronze ,Maroon ,White |
| Technika |
Chiseled casting |
| Czas powstania |
16th century (?) |
| Era |
Renaissance |
| Kraj pochodzenia |
Italy (?) |
| Autor |
Unknown |
| State of preservation |
Minor damage, including partial fracture of nose and left foot; surface of bronze and marble bears traces of abrasions |
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The sculpture impresses with the pronounced rigidity of the body, typical of early Roman depictions. The calm yet poignant expression of Christ's face is emphasized by huge, forward-facing eyes set in deep eye sockets.
His gaze, however, is slightly lowered, emphasized by a prominent nose and large, spreading ears that frame his face. His hair falls symmetrically on his shoulders; a peculiar hairstyle draws attention - the hair, separated by a parting on top of the head, is arranged in rollers covered with densely diagonal cuts. Very similarly arranged hair, resembling braids, has the famous statue of Christ of Mig Aran, located in the church of Sant Miquèu de Vielha (Val d'Aran valley). The beard and mustache end in artificial, volute curls.
