Saint John the Evangelist, late Gothic wooden sculpture, ca. 1500

6400,00 
Full-plastic sculpture depicting St. John the Evangelist , made of wood, dated around 1500. The figure is shown in counterpoint, with a slightly bowed head and entwined hands holding a book - an attribute of the Evangelist. The sculpture is preserved in its original polychrome, with a visible structure of pigment layers and natural cracking of the wood.
The work may have been part of a winged altarpiece (retabulum), most likely in the Crucifixion group.

Saucepan (patella) of Eggers type 137, tinned bronze, Roman Empire, c. 50-120 AD

6200,00 

This Roman culinary and banqueting vessel represents the form of a patella (deep saucepan), classified in archaeological typology as Eggers type 137. The object dates from the early Roman Empire, specifically the second half of the 1st century or the beginning of the 2nd century AD (a timeframe of approximately 50–120 AD), corresponding to the chronological horizon from Emperor Nero's reign to the Flavian dynasty and Emperor Trajan. The saucepan was cast from tinned bronze in a provincial Roman workshop, located in Gaul or Germania Inferior, modeled after products from Campanian manufacturers in the Capua region. The tin coating on the inner walls of the vessel was intended to protect prepared food from direct contact with copper and the formation of toxic compounds. The vessel's net weight is 1060 grams. The object consists of a hemispherical bowl, 8.2 centimeters in height and 18 centimeters in rim diameter, connected to a flat handle with a trapezoidal finial, resulting in a total length of 30.2 centimeters.

Sculpture of a god’s head (Zeus or Hercules), marble, Mediterranean basin, Hellenistic period

25000,00 
Monumental sculpture depicting the head of a bearded god, probably Zeus. The hair and beard form wavy, loose curls; a long mustache descends on the sides and frames the closed mouth. The face has a serious, focused expression, with a slightly flattened nose and furrowed brows. The eyes are carefully modeled, with a distinct upper eyelid, without marked pupils. The sculpture is made of white marble. The piece dates from the Hellenistic period in Greece, circa 300–200 BC.

Shekel (Judas silver), Tyre, 139 local era = 13/14 after Chr.

5200,00 
Av. Melkart's head in laurel wreath to the right. Rv. TYPOY [IEPAΣ] KAI AΣYΛOY, eagle standing left on prow of galley, palm branch on right wing, in left field letters PΛΘ (date) over mace, in right KP over monogram, Phoenician letter "Bet" between eagle's paws. Silver, 13.6 g, 25.4 mm. Literature: DCA 920; HGC 10, 357. Condition III+, rare and nicely preserved coin minted during Jesus' lifetime.

Singa Barong, polychrome wood, Indonesia, 19th century.

1800,00 
A striking polychrome wood sculpture depicting Singa Barong - a mythical winged lion, known from Balinese and Javanese traditions. The creature is shown in a watchful position, sitting on an ornate base with its mouth open and teeth bared. The figure's appearance is completed by its distinctive bulging eyes, curled tail and mane. Its body is covered with linear motifs resembling tattoos, its breast is adorned with a wide necklace and its front paws with bracelets. The sculpture was most likely associated with a protective function, both in temple and domestic spaces.

St. Augustine reliquary with Ex Ossibus relic, polychrome wood, gilded, Italy, 18th century.

4100,00 
An expressive figural sculpture depicting a half-figure of St. Augustine in episcopal vestments, with a heart in his hand. The sculpture is the finial of a console in which was placed a relic of the first class (Ex Ossibus), described "S. Augustini", protected by an intact church seal. The work of polychrome and gilded wood, made in the 18th century, in an Italian workshop, representing a good artistic level.

Stepping lion, gilt silver, Western Europe, 17th-18th century.

2250,00 
Small, realistically reproduced figurine of a lion with clear detail of the mouth and mane, made of silver, partly fire-gilded. Set on a slightly curved, florist-decorated pedestal. Visible traces of handwork - chiseling and engraving. Probably a fragment of a larger object - a reliquary, ceremonial casket or processional gate.

Table spoon, silver, Wrocław, early 18th century

4200,00 
Silver tablespoon with a richly decorated flat handle, ending with a characteristic profiled button in the Baroque style. On the top side, finely engraved floral ornaments - typical of Central European Baroque. On the underside of the scoop part, two punches: the city mark of Wroclaw (St. John's head in a circle) and the probationer's mark (the letter "H" in a heart). A proboscis in the place of joining the handle with the scoop - an element typical of Lower Silesian workshops of the period.

Terra sigillata vessel, Dragendorff 18/31 type, terracotta, Roman Empire, circa 190-240 AD.

2800,00 

This Roman terra sigillata vessel (bowl) represents the Dragendorff 18/31 form, a smooth, undecorated transitional variant between a flat plate and a deep bowl. The artifact dates from the turn of the 2nd and 3rd centuries AD (the time of Septimius Severus or Caracalla) and was produced in the thriving provincial Roman pottery center in Trier, within the Roman province of Gallia Belgica. The vessel features universal, medium table dimensions: a maximum rim diameter of 19.2 centimeters, an overall height of 4.5 centimeters, and a stabilizing footring diameter of 10.2 centimeters. These proportions reflect an ancient geometric module based on a strict two-to-one relationship between the rim width and the base, which was standard in serial workshop production of that period.

The bowl was crafted from very well-sorted ferruginous clay, which, after firing, achieved a uniform, bright red color. The surface of the vessel is covered with a slip exhibiting a characteristic silky sheen. Natural traces of ancient use are visible on its structure, manifesting as fine scratches within the interior and superficial abrasions on the rim and the underside of the footring, resulting from repeated placement of the vessel on hard surfaces. The vessel's profile is formed by straight, conically flaring side walls that gently curve into a deepened base in the lower section. The central part of the interior features a regular, conical elevation, known as an omphalos, which is further encircled by a distinct ring incised into the clay before firing.

Rim diameter (maximum): 19.2 cm Overall height: 4.5 cm Footring diameter (base): 10.2 cm Weight: 417 g