Rama, marble, India, 19th century.

1200,00 

A sculpture depicting Rama, one of the most important deities of Hinduism, considered the seventh avatar of Vishnu. The object was hand-carved in white marble in India, probably in the 19th century.

The figure is depicted standing, facing forward. The face has a gentle expression with a soft smile and slightly closed eyes. The head is crowned with a decorative crown, and long necklaces are visible on the chest.

The figure is dressed in a draped robe with clearly marked folds. On its back is a quiver with arrows, characteristic of Rama's depictions.

The hands of the sculpture are not preserved, originally in one of them the figure held a bow - a characteristic element of representations of this deity. Further about these cavities do not write that they are consistent.

Rama is the hero of the epic Ramayana and in the Hindu tradition symbolizes righteousness and fidelity to the principle of dharma. His images occupy an important place in Indian sacred art, although full-figure marble sculptures of this scale are less common.

The object is preserved in good condition, with clear legibility of form and detail.

Rama, marmur, Indie, XIX w.

900,00 
Rzeźba przedstawiająca Ramę – jedno z głównych bóstw hinduizmu, będące siódmym awatarem (wcieleniem) Vishnu. Postać ukazana została w pozycji stojącej, odziana w tradycyjną, drapowaną szatę (dhoti) z wyraźnie zaznaczonymi fałdami. Twarz ma łagodny wyraz z delikatnym uśmiechem. Głowę bóstwa zdobi diadem, za którym widoczny jest częściowo zachowany, ząbkowany nimb (aureola). Na szyi i torsie odwzorowano dwa elementy ozdobne: krótki naszyjnik przy dekolcie oraz długą girlandę (vanamala) sięgającą pasa, która jest klasycznym atrybutem w ikonografii Vishnu i jego awatarów. Na plecach znajduje się kołczan ze strzałami, charakterystyczny dla przedstawień Ramy. Ręce rzeźby nie zachowały się, pierwotnie w jednej z nich postać prawdopodobnie trzymała łuk – charakterystyczny element przedstawień tego bóstwa.  Wymiary: 42,5 cm (wysokość) x 11,5 cm (szerokość) x 7 cm (głębokość) Waga: 4,2 kg

Reliquary with relic of the Holy Cross and four saints, gilded bronze, Central Europe, 18th century.

8000,00 

Baroque reliquary in the form of a monstrance, made of gilded bronze. Oval foot, multi-stepped, decorated with repoussed and engraved floral ornament. Smooth shaft with profiled nodus. Reservaculum surrounded by a gloria The gloria of the reliquary was formed of frayed, numerous rays, over which is superimposed a contrasting decorative wreath covered with rocaille and floral motifs. In the repository is placed an oval capsule made of silver sheet, glazed from the front. Glass at the edge decorated with octagonal faceting. On the back there is a wax seal on strings. The seal bears a coat of arms: in an ornamental cartouche a lion to the left, and below - separated by a beam - an opposite griffin to the left. The whole is crowned with a cardinal's hat (Galero): a hat with a wide brim and dangling strings with brads (fiocchi), which is a sign of cardinal dignity. Inside the capsule are 5 relics, described in ink on bandoliers - read more in the extended content below.

Saint John the Evangelist, late Gothic wooden sculpture, ca. 1500

6400,00 
Full-plastic sculpture depicting St. John the Evangelist , made of wood, dated around 1500. The figure is shown in counterpoint, with a slightly bowed head and entwined hands holding a book - an attribute of the Evangelist. The sculpture is preserved in its original polychrome, with a visible structure of pigment layers and natural cracking of the wood.
The work may have been part of a winged altarpiece (retabulum), most likely in the Crucifixion group.

Sculpture of a god’s head (Zeus or Hercules), marble, Mediterranean basin, Hellenistic period

25000,00 
Monumental sculpture depicting the head of a bearded god, probably Zeus. The hair and beard form wavy, loose curls; a long mustache descends on the sides and frames the closed mouth. The face has a serious, focused expression, with a slightly flattened nose and furrowed brows. The eyes are carefully modeled, with a distinct upper eyelid, without marked pupils. The sculpture is made of white marble. The piece dates from the Hellenistic period in Greece, circa 300–200 BC.

Shekel (Judas silver), Tyre, 139 local era = 13/14 after Chr.

5200,00 
Av. Melkart's head in laurel wreath to the right. Rv. TYPOY [IEPAΣ] KAI AΣYΛOY, eagle standing left on prow of galley, palm branch on right wing, in left field letters PΛΘ (date) over mace, in right KP over monogram, Phoenician letter "Bet" between eagle's paws. Silver, 13.6 g, 25.4 mm. Literature: DCA 920; HGC 10, 357. Condition III+, rare and nicely preserved coin minted during Jesus' lifetime.

Singa Barong, polychrome wood, Indonesia, 19th century.

1800,00 
A striking polychrome wood sculpture depicting Singa Barong - a mythical winged lion, known from Balinese and Javanese traditions. The creature is shown in a watchful position, sitting on an ornate base with its mouth open and teeth bared. The figure's appearance is completed by its distinctive bulging eyes, curled tail and mane. Its body is covered with linear motifs resembling tattoos, its breast is adorned with a wide necklace and its front paws with bracelets. The sculpture was most likely associated with a protective function, both in temple and domestic spaces.

St. Augustine reliquary with Ex Ossibus relic, polychrome wood, gilded, Italy, 18th century.

4100,00 
An expressive figural sculpture depicting a half-figure of St. Augustine in episcopal vestments, with a heart in his hand. The sculpture is the finial of a console in which was placed a relic of the first class (Ex Ossibus), described "S. Augustini", protected by an intact church seal. The work of polychrome and gilded wood, made in the 18th century, in an Italian workshop, representing a good artistic level.

Stepping lion, gilt silver, Western Europe, 17th-18th century.

2250,00 
Small, realistically reproduced figurine of a lion with clear detail of the mouth and mane, made of silver, partly fire-gilded. Set on a slightly curved, florist-decorated pedestal. Visible traces of handwork - chiseling and engraving. Probably a fragment of a larger object - a reliquary, ceremonial casket or processional gate.